science-review.ru
Scientific journal
Научное обозрение. Педагогические науки
ISSN 2500-3402
ПИ №ФС77-57475
ISSN 2500-3402
ПИ №ФС77-57475
BODILY MOVEMENT PLASTIC AS A PHENOMENON OF PHYSICAL CULTURE
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The aim of the article is to distinguish the role of plasticity characteristics, as a special case of aesthetic manifestations in body- motor plastic. The notion of «body- motor plastic» as a category: consistency, proportionality movements and gestures, their total harmony - Fine art of rhythmic body movements, movements of proportionality, the appearance by which reflected the nature and characteristics of the actor. It is shown that for body- motor plasticity characterized by movements, gestures, demonstrations appearance reflect human features artist movements, his personality. The basic elements of the body- motor plasticity: bodily movement, setting the perception of bodily movement; experience subject- motor activity and the image motion, understanding the cause of motion; adequacy of image motion understanding of its causes. It is shown that the mastery of motor actions, as the acquisition of motor competence is based on knowledge of the biomechanics of the unit in two ways: traditional teaching and transmission of information by physical signals. The distinction between body- motor plasticity as conscious and unconscious. The above values of body- motor plasticity associated with art movements have been attributed to exceptional, phenomenal space for physical culture phenomena. The possibilities of rhythmic gymnastics as a form of physical training for the formation of body- motor, aesthetic and graceful woman, began to future teachers.